Lydian Treasure
Getty Museum to Return Greek Artifacts
Greek Officials Raid House of Ex-Getty Curator
Greece persuades Getty museum to return artefacts
Antiquities Gallery Will Return Two Limestone Monuments to Egypt
The Met, Ending 30-Year Stance, Is Set to Yield Prized Vase to Italy
Their hands in the tombs
Objects of inspection
Iraq’s National Museum to open after 8-year closure
Looting Iraq: A Conversation With Museum Director Donny George
Polk, Milbry and Angela M.H. Schuslter (eds), 2005. The Looting of the Iraq Museum, Baghdad: The Lost Treasures of Ancient Mesopotamia, New York: Abrams
Beyond the Nationalist-Internationalist Polarization in the Protection of Archaeological Heritage: A Response to Professor Merryman
Looting and the Antiquities Market
Looting Matters Blog
Stealing History: The Illicit Trade in Cultural Material
The Art of Looting
The International Art Trade and the Ethics of Collecting
AAMD: our members should “normally” not acquire loot
Watson, Peter, 1998. Sotheby’s: The Inside Story , Random House
Butcher, K. and D.W.J. Gill, 1993.
The Director, the Dealer, the Goddess and her Champions: The acquisition of the Fitzwilliam Goddess, American Journal of Arcaheology 97: 383-401
Chippindale, C. and D.W.J. Gill, 2006. From Boston to Rome: Reflections on Returning Antiquities, International Journal of Cultural Property 13: 311-331
Chippindale, C. and D.W.J. Gill, 2008. South Italian Pottery in the Museum of Fine Arts, Boston acquired since 1983, Journal of Field Archaeology 33: 462-472
Global repatriations and ‘universal museums.’
H-Museum
Heritance
Museum of Missing History
Museum Security Network
Principles for Museum Acquisitions of Antiquities
Still only one object listed in AAMD Object Registry
The International Council of African Museums
The International Council of Museums
What should we do with “our” antiquities?
AIA Statement on Museum Acquisitions and Loans of Antiquities and Ancient Art Works
Combating Illicit Trade: Due Diligence Guidelines for Museums, Libraries, and Archives on Collecting and Borrowing Cultural Material
