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  • Meet the Interns

    interns2014

    Meet the Folks who are helping make SAFE happen this summer!

    I (Elizabeth Markman) am a rising junior at Barnard College with a joint major in Archaeology and Art History. I have just returned from an archeological survey in New Mexico, where I spent my time looking for projectile points and potsherds. At SAFE, I am working on new educational initiatives and outreach. I am also tweeting and organizing the SAFE newsletter. Though I love working at my SAFE internship from New York City, I enjoy even more learning from SAFE’s global outreach.

    “I love working with people who are truly knowledgeable and passionate about the cause! They are excited to be doing their work and excited for us (the interns) to be doing ours.”

    Learn more about my colleagues  and fellow interns below!

    Heather Lee  is a rising senior at Amherst College with a double major in Art History and European Studies. She is currently interning at the Metropolitan Museum of Art in New York. Her SAFE internship has helped her explore ...

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  • The thorny issue of deaccession

    Deaccessioned image

    On July 10, 2014, at Christie’s in London, a 4,000-year-old Egyptian limestone statue of an official named Sekhemka was sold to a telephone bidder for £15,762,500 (or $27,001,163, with the buyer’s premium). This sale was strongly opposed by several groups, including the UK Museums Association (MA), the Save Sekhemka Action Group, and Egypt’s Antiquities Ministry.

    Why the controversy? It is because the sale violated the general deaccessioning policies of museums. Deaccession—a permanent removal of an object from a museum’s collection, usually through sale—is not undertaken lightly by museum curators. It is usually done only with artworks that are duplicated in the collection or that are too damaged for conservation or display. In good museum practice, the funds generated from the sale are used only for the improvement of the collection.

    The UK Museums Association stipulates that the money raised from deaccession should only be used to improve the existing collection. In the United States, the Association of American Museum ...

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  • Abdulamir Hamdani on the implications of the current fighting for Iraq’s cultural heritage

    Hamdani

    The following is Dr. Abdulamir al-Hamdani’s presentation on the destruction of Iraq’s heritage made on July 18, 2014 at the Iraqi Cultural Center. The event was also live-tweeted by Dr. Damien Huffer (#ICHpanel) and reported here by Dr. Alex Nagel. SAFE is grateful for this collaboration, allowing us to raise awareness about these critical issues.

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  • What can you do? Sharing knowledge about Iraq’s vanishing cultural heritage

    al-Qubba Husseiniya Mosul

    A public panel, “The Implications of the Current Fighting for Iraq’s Cultural Heritage” was held on Friday evening, July 18, 2014 in Washington, DC. The panel was organized by the Iraqi Cultural Center (ICC), the Iraqi Ministry of Culture and The American Academic Research Institute in Iraq (TAARII). The following is a report of the presentations.

    The goal of this panel was to focus on the current situation in Iraq, particularly on the cultural impact of the fighting which broke out in the beginning of 2014. From the beginning it was clear that the implications for the future of Iraq’s cultural heritage are a major concern. In a packed room of approximately 80 people, Jabbar Jaffar (ICC) moderated the panel discussion.

    The first speaker was Abdulameer Al-Dafar al-Hamdani, a member of the Iraqi State Board of Antiquities and Heritage. ISIS has been gaining control over much of the north-western and western parts of Iraq, an area that includes approximately 4,000 important cultural ...

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  • The vote is in: We want international cooperation for cultural heritage protection

    We asked you answered

    On May 29, SAFE opened up an informal poll to gauge public opinion on the issue of international cooperation on cultural heritage protection. This was inspired by Egypt’s request for a Memorandum of Understanding (MoU) to restrict imports of Egyptian archaeological and ethnological material into the United States. The goal was to raise public awareness, a core mission of SAFE.

    In fact, the poll did an excellent job—it got people talking. A total of 142 people voted on the poll, and more than twenty-five experts and concerned public took the trouble to put thoughtful comments on the SAFE webpage, the poll website, and LinkedIn group pages.

    An overwhelming majority of the voters (89.44%) voted for the first choice—a simple “Yes,” that all nations should help protect each other’s cultural heritage.

    It seemed that many people who responded YES saw the international cooperation on protecting cultural heritage as an obvious, basic moral duty. But what intrigued me the most ...

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